While I won’t get into the specific details of the assignment, Perlemian Haul incorporates all of these, along with some intrigue, action, and suspense, plus a few surprises! Writing material for a relatively new game system is always interesting, and this was once again the case for Age of Rebellion as I needed the adventure to integrate a range of Careers and Specializations, as well as the Duty mechanic. I’ve been a fan of Star Wars since I three years old, the original film was the first movie I ever saw in a bona fide theater, and to say I was thrilled to be offered a chance to write the introductory adventure for the upcoming Age of Rebellion roleplaying game is something of an understatement. ![]() More importantly, though, you’ll have done your part to topple the evil Empire.Ĭontributing Author Gary Astleford on Perlemian Haul If you fail, you’ll become yet another of the Rebellion’s unsung martyrs, but if you succeed, you’ll be celebrated and given the opportunity to participate in more sensitive missions. Your task will challenge you and your fellow Rebels to navigate your way through space stations, Imperial heavy freighters, navy troopers, patrol droids, dozens of TIEs, and other hazards. In it, you and your teammates must infiltrate an Imperial convoy and secure the cargo stored aboard one of its freighters, the Perlemian Haul. To kick off your adventures within the Age of Rebellion, the Core Rulebook contains the full-length, three-act adventure, Perlemian Haul. No matter what mission you undertake, your ultimate goals will always be to undermine the Galactic Empire and free the galaxy from its tyranny. You might fly to battle alongside or within capital ships, and – on rare occasions – you might even take part in a key military strike that involves the entire Rebel fleet. You may support insurgent governments or rally new recruits. In the Star Wars ®: Age of Rebellion™ Roleplaying Game, you and your friends assume the roles of members of the Rebel Alliance, which is vastly outnumbered and outgunned in its war with the evil Galactic Empire.Īccordingly, you’ll play your part in reconnaissance missions, intel operations, and guerrilla operations. LOS ANGELES - The first wave of Black students who entered the ethno-communication program at the UCLA School of Theater, Film and Television did so at a particularly politically charged time in Los Angeles and the nation as a whole.“You know of the Rebellion against the Empire?” –Luke Skywalker The students began their term at the tail end of the Civil Rights Movement, and some, like filmmaker and storyteller Ben Caldwell, after they had returned from fighting in the Vietnam War. They arrived on campus in the aftermath of the 1965 Watts Uprising and the shooting at a Black Student Union meeting in 1969, which left two UCLA students and Black Panther leaders dead. In the face of racism on campus, the students joined together in a tight cohort, learning and collaborating with one another. This class of students, and those who followed, until the program ended in 1982, became known as the LA Rebellion. Time is Running Out of Time: Experimental Film and Video from the LA Rebellion and Today brings together the works of the LA Rebellion filmmakers and the early film and video works of younger generations of Black artists, filmmakers, storytellers, and scholars working in Los Angeles. While 47 years exist between the date of the oldest film in the exhibition and the most recent, the pieces made by the younger generation of artists critically work through many of the same subjects decades later. Installation view of “Medea” (1973) by Ben Caldwell in Time is Running Out of Time (photo by Joshua White) The films and video art in this exhibition - all formal experiments in the medium - center women’s narratives, Black consciousness, and the complexity and diversity of the Black experience. The experimental nature of the works exists beyond just the risks in style. ![]() Most were crafted early in the careers of both generations of filmmakers and, in some cases, they were the filmmakers’ first projects. Caldwell edited images in rapid succession for his first project, “Medea” (1973), which depicts the information and history that is passed onto a child before its birth. The glimpses of images explore ancestry and identity through collage. ![]() “Hour Glass” (1971), Haile Gerima’s first project at UCLA, draws on the lyrics and words of speeches and song.
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